VR Exhibition
Tang Contemporary Art
The “lighthouse” and the “cradle” come from imagery found in the works of Li Qing, and are symbols for Utopia in literature. The exhibition takes “Lighthouse and Cradle” as a starting point and point of embarkation between multiple series, as metaphors for ideals and arrival, as it takes a new look at the continuous stories that have unfolded in Li Qing’s works since 2005.
Pingshan Art Museum
Display and Replay indicates the joint work of art, architecture and design, which is also the core of the entire exhibition. How do we display content and vision? How do we reproduce thoughts and perceptions? The exhibition is based on the works of Li Qing, with architect Li Han creating the space and graphic designer Mei Shuzhi in charge of posters and other visual designs.
Fondazione Prada’s Rongzhai
Rear Windows is an immersive and collaborative project con- ceived on site by the Chinese artist Li Qing as a specific sto- ryboard, re-contextualizing the Prada Rong Zhai house and its history. Between fiction and reality, the exhibition is an odyssey throughout all the different enclaves and spaces of the house, meandering inside and out. While playing with the absence of presence in an empty house, Li Qing activates a mysterious and vibrant new dynamism to the story and con- nects with our contemporary existence within the Shanghai of today—a territory filled with urban myths, legends and expectations.
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