Bibliography :
Monographs & Solo Exhibition Catalogues
Ying Jinfei(2019). Li Qing: Self -Cultivation. ZheJiang Art Museum. China Academy of Fine Arts Press
Jerome Sans(2019). Li Qing: Rear Windows. Fondazione Prada
Xia Jifeng(2015). Li Qing: Cathedral. Hive Center for Contemporary Art
Ana Paula Cleto, Chang Tsong - Zung(2012). Li Qing: Interweaving. Hanart TZ Gallery. ISBN：978-988-16205-1-4
Xia Jifeng, Zhu Zhu(2010). Drift：Li Qing 2009-2010. Wooden Horse Press. ISBN: 978-84-606-5110-9
Chang Tsong - Zung, Marcello Kwan(2009). Li Qing · Curtain. Hanart TZ Gallery. ISBN：978-988-17319-0-6
Zhu Zhu(2008). GHOSTING: LI QING 2005-2008. Iberia Center for Contemporary Art﹠Timezone 8 Limited. ISBN: 978-988175226-0
2008. Li Qing · Collision in the Air. DF2 Gallery. ISBN：978-0-9793647-3-0
Meng Fan(2006). Li Qing · Finding Together. F2 Gallery
Monographs & Group Exhibition Catalogues
Jing Shijian（2022）.Adventure Possession & Philotes. Art Story Enlighten Spirit. pp.68-69
ZheJiang Art Museum. PAD Dimension Visual Art From Graphic To Virtual. China Academy Of Art Press. pp.186-201. ISBN:978-7-5503-2708-5
Chen Yan（2021）. Hangzhou mode - Landscape City Comprehensive inting Exhibition. China Academy Of Art Press. pp.48-51. ISBN:978-7-5503-2588-3
Yu Ke, Huang Du，（2020）’Multi-Vision Of Youth Art Encounter Asia’ . Sichuan Fine Arts Publishing House. pp. 123-125. ISBN：978-7-5410-6714-3
Zhou Tiehai（2020）‘Westbund’West Bund Museum
MOCA Yinchuan(2020). New Art History: 2000-2018 Chinese Contemporary Art. China Book Publishing House Co.,Ltd. pp.264-271. ISBN: 978-988-8602-91-9
（2019）‘China · New Westlake Painting – Multi- dimensional expression & German ·Contemporary Painting Art’ Galerie EIGEN+ART. pp. 9-11
Zhang Daoming, Wang Zixin.（2019） ‘Bi-City Biennale of Urbanism \ Architecture Yantian Sub-venue’. Shenzhen Yantian District People’s Government. pp.345-355
Lv Peng（2019）’Anren Biennele’. OCT West Investment Co., Ltd Today’s Yesterday. pp. 78-79. A Future That Never Returns. pp. 36-39
Wang Wei(2018). TURNING POINT 40Years of Chinese Contemporary Art. Shanghai Century Publishing Group and Shanghai Culture Publishing House. pp.202. ISBN: 978-7-5535-1255-6
(2017). PRIX JEAN-FRANCOIS PRAT. Bredin Prat Foundation. pp.22-33. ISSN: 2275-1556
Ni Youyu，Xu Dan，Zhou Jun，HanFeng(2017). Temporary Museum. Shanghai calligraphy and painting Publishing House. pp.52-59. ISBN: 978-7-5479-1500-4
Yang Yong(2017). Interaction：Chinese Contemporary Art in Nuremberg. Shangqi Art. pp.32-35
Peng Zhongming(2017). WHAT MAKES US WHO WE ARE. XU GALLERY
Cui Cancan(2016). BMCA Documenting Art. Blue Mountain Contemporary Art(BMCA). pp.30-31
Zheng Yan(2016). BEING-ARTISTS CASE STUDY SERIES 1. Wanying Art Museum. pp.18-69
Lü Peng(2016). Scarcity & Supply-The 3 rd Nanjing International Art Festival. HongKong Contemporary Art Publications. pp.328-331. ISBN: 978-988-14690-4-5
Lü Peng(2015). PAINTING TWENTY MULTIPLIED BY TWENTY. China Youth Press. pp. Volume one(gold)100-103, volume two(blue)42-45. ISBN: 978-7-5153-2246-9
David Chau(2015). PIMO Contemporary Art Festival. MADEIN COMPANY/FOUNDATION
Loel（2015）《GARDEN SPLENDORS》Chinese Contemporary Art Invitation Exhibition. Suzhou Jinji Lake Art Museum. pp.66-73
Xu Bing(2014). The First “ CAFAM · Future ” Exhibition Sub-Phenomena: Report on the State of Chinese Young Art Participating Works. pp.226-229. ISBN：978-7-5153-2109-7
He Guiyan(2014). SOCIAL AND SCAPE. Hebei Fine Arts Publishing House. pp.184-189. ISBN:978-7-5310-5990-5
Tang Guanke，Lu Chao，Zhou Ying(2014). CHAMBERS FINE ART. CHAMBERS FINE ART. pp.46-47
He Guiyan(2014). Lesser Logic-Linguistic Encoding and Discursive Expression in Contemporary Art. pp.68-71 202-205
Hong Lei(2014). Witness the Depravity
Lü Peng(2013). PURE VIWS-The transformation of Chinese Contemporary Art. Cinta Massip. pp.86-91. ISBN：978-88-8158-879-4
Hu Chaoyang(2013). Appointment · oil painting. teacher's paper and excellent undergraduate paper painting works collection of China's eight Art Colleges. Hubei Fine Arts Press. pp.60-62
Xia Jifeng(2013). HIVE CENTER FOR CONTEMPORARY ART. Hive Center for Contemporary Art. pp.62
Fang Zhiling(2013). Accumulation. Zhong Gallery · Berlin · Beijing. pp.22-29
Xu Jiang(2013). Most Painting. Guangxi Fine Arts Publishing House. pp.96-103. ISBN：978-7-5494-1070-5/j·2038
Fang Zhiling(2012). PAESAGGI VISIONI RICORDI. Hangzhou cultural and entertainment brand promotion association & Italian artists association. pp.52-61
Fang Zhiling (2012). DAWN New Art From China. Zhong Gallery Art Publications. pp.49-63
Lü Peng(2012). New Paintings From China – Traditions Reactivated. China Youth Press. pp.70-75. ISBN: 978-7-5153-1222-4
Cui Cancan(2012). Merging·Distances in Light. L-Art Gallery. pp.44-53
Zheng Yan (2012). Ctrl＋N——Non-linear Practice: 2012Gwangju Biennale Special Exhibition. CHINA TODAY ART MUSEUM PUBLISHING HOUSE LTD. pp.271-285. ISBN: 978-988-16445-9-6
Gary G. Xu (2012). LOOKING AWRY: THE UNCONSCIOUS IN CONTEMPORARY CHINESE ART. Beijing Lelege Culture & Art CO. Ltd. pp.60-67. ISBN: 978-988-15063-6-8
Xu Jiang, Li Xiangyang (2012). Reactivation-9th Shanghai Biennale. The Power Station of Art. pp.176-179. ISBN: 978-0-9882575-1-1
Bao Dong, Yang Min (2011). Painting Lession 1 : Illusion or Delusion. Gallery Yang, Beijing. pp.40-43
Jiang Zaiming (2011). Expression of Chinese Contemporary Art. Today Art Museum. pp.164-175. ISBN: 978-988-19953-1-5
Lü Peng, Bai Hua (2011). Pure Views: New Paintings from China. Asian Art Museum, San Francisco. pp. 62-65. ISBN: 978-88-8158-821-3
Xu Lei (2011). ” Expression of Chinese Contemporary Art ” Scene Record. Track Art. pp.92-95. ISSN: 1817-6038
Lü Peng (2011). 2011 ChengDu Biennale. Sichuan Fine Art’s PublishingHous. pp.158-159. ISBN: 978-7-5410-4743-5
Sojung Kang (2011). In the heat of the sun. Gallery HYUNDAI. ISBN: 978-89-92819-83-1
Elva White, Enki Li (2011). That’s It?. Ecube Contemporary
Zhu Naizheng, Xu Jiang (2011), The Sounthern Part of China Humanistic . China Academy of Art PublishingHouse. p.253. ISBN: 978-7-5503-0170-2
Zhu Zhu (2011). Fly Through the Troposphere: Memo of the New Generation Painting. Iberia Center for Contemporary Art，Himalayas Art Museum. pp.22,24,29,32,33,34,50,51,102-143
Zhe Jiang Art MUSEUM (2011). WATER STAINS ON THE WALL: THE CARRIER OF FORMATION. China Academy of Art PublishingHouse. pp.86-97. ISBN: 978-7-5503-0218-1
Hiartstore (2011). Say hi TO The Future: The Exhibition for Small Size of Young Chinese Artists. hiartstore
Fang zhiling (2010). Transformation: International contemporary art exhibition of China and Italy. HangZhou Feng Ya CultureArt limited company. pp.76-83
Sun Jianchun, Dong Bingfeng, Su Wenxiang (2010). Asian Landmark-Toyota Art Project. Timezone 8 Limited. pp.94-103
Lü Peng, Zhu Zhu, Gao Qianhui (2010). Reshaping History: Chin art from 2000 to 2009. Sichuan Fine Art’s PublishingHous. pp.132-133. ISBN: 978-7-5410-4220-1
Dang Dan (2010). The Personal Dimension. Arario Gallery. pp.15-67. ISBN 978-89-92262-65-1
Shang Duan (2010). DO YOU SEE WHAT I MEAN?. FABIEN FRYNS FINE ART. pp.10-11
Ludovic De Vita, Gu Zhenqing, Soukyoun LEE (2010). Here There: The world in motion2010. China Modern ar PublishingHous. pp.34-37. ISBN: 988-97634-7-8
Jiang Zaiming (2010). Invisible Wings. Times Art Museum. pp.98-103
Lü Peng (2010). Pure Views: New Paintings from China. Louise Blouin Foundation. pp.86-87
Yu Jianhua, Fang Zhiling(2010). Ten Cases Studies Of Post-70s Art. China Economic PublishingHouse. pp.110-139. ISBN: 978-7-5136-0132-0
Xia Jifeng, Sun Jianchun, Zuo Jing (2010). Community of Tastes: Chinese Contemporary Art since 2000. Iberia Center for Contemporary Art. pp.112-123. ISBN: 978-988-18906-7-2
Jiang Zaiming, Zhu Xiaowei(2009). Reflect Light-Depth of New Art. Hangzhou West Lake Art Gallery. pp.54-57
Zhou Jianpin (2009). BLADE-Reconstruct Leifeng Pagoda. Hunan Fine Arts PublishingHouse. pp.52-57. ISBN: 978-7-5356-3210-4
Zhang Yizhou (2009). Best Times. Tang Contemporary Art
Beatrice Yang (2009). 2009Beijing 798 Art Festival. Beijing 798 Creative Industry Investment Co.,Ltd. pp.55-57
Hee-young YOO (2009). City_net Asia 2009 Seoul-Tokyo-Beijing-Istanbul. Seoul Museum of art. pp.186-189.
2008. Time-Lag: The New Force of Chinese Contemporary Art. Magee Art Gallery. pp.20-21
Liao Liao (2008). BE THERE. National Arts
Fang Fang (2008). Looking for ME. Star Gallery
Wang Yihan (2008). 2008 China International Gallery Exposition. Beijing Chinese Art Exposition’s Media Co., Ltd. pp.100-101. ISBN: 988-17144-9-7
Yang Jingson (2008). Unpack: Chinese Contemporary Art Exhibition. China Academy of Art PublishingHouse. pp.114-117. ISBN: 978-7-81083-715-6
Zhang Zikang, Huang Du (2008). The First Today’s Documents 2007 Energy: Spirit•Body•Material. Today Art Museum. pp.124-127. ISBN: 978-988-17150-6-7.
Bao Dong, Sun Dongdong (2008). Notes of Conception: A Local Narrative of Chinese Contemporary Painting. International Art﹠Culture Foundation(IAC)of Spain, Iberria Center for Contemporary Art. pp.44-55
Zuo Jing (2008). Poetic Realism: A Reinterpretation of Jiangnan Contemporary Art of South China. Ayuntamiento de FUENLABRADA﹑Iberia Center for Contemporary Art. pp.52-59. ISBN：978-84-606-4534-4
Zhu Zhu (2008). Deep Pond and Float Chamber. NanJing QingHe Current Art Center. pp.44-47.
Maya Kóvskaya (2008). Multiple Realities. F2Gallery. pp.80-85. ISBN: 978-0-9793647-8-5
2008. CHINA GOLD. Gallimard. pp.84-91. ISBN: 978-2-07-012156-4
Hua Chan (2008). ART LOOK: Chinese Oil Painting Famous Expert. JiangXi Art’s PublishingHouse. pp.84-87. ISBN: 978-80749-572-7
Center for Cultural Market Development (2008). Future Sky-Chinese contemporary young artists nominated Exhibition. HeBei Education PublishingHouse. pp.48-49. ISBN: 978-7-5434-7197-9
RCM The Museum Of Modern Art (2008). 3rd Nanjing Triennial Reflective Asia. Nanjing PublishingHouse. ISBN: 978-7-80718-419-5
Zuo Jing, Rafael Sierra, Consuelo Císcar (2008).55días en Valencia: Encuentro de arte chino. GENERALITAT VALENCIANA-CONSELLERIA DE CULTURA I ESPORT. pp.89. ISBN：978-84-482-4958-8
Jiang Jiehong (2008). The Revolution Continues: New Art From China. Jonathan Cape﹑Saatchi Gallery. pp.12-13. ISBN: 978-0-224-08499-4
Zuo Jing (2008). Time-Lag: The New Force of Chinese Contemporary Art. Wooden Horse Press. pp.110-121
Xu Ke, Qi Lan (2007). China’s Neo Painting, A Triumph Over Images: 2007 Art China Painting Nomination Exhibition. Nanjinqinghe Current Art Center. pp.239-257
Zhu Zhu (2007). The Great Yangtze River Bridge. White Canvas Gallery. pp.38-43.
Wu Jin (2006). Tu Hongtao: My Days at Santai Mount, Li Qing: Scene·Landscape. EWE Arts. pp.25-45
Chen Wei (2006). Conversation 10 + 10 ContemporaryArt Exhibition. Shanghai Zendai Museum of Modern Art. pp.33-6-36
Art Beijing 2006 Executive Committee (2006). Art Beijing 2006. Art Beijing 2006 Executive Committee. pp.63. ISBN: 988-99265-8-x
Li Xiaoshan (2006). Beyond Dimension Chinese New Painting 2006. HuBei Art’s PublishingHouse. pp.53-56
Yu Xu Hong, Xu Feng, Zhu Haichen (2006), 218·HangZhou Direction Contemporary Painting. HangZhou Direction Gallery. pp.91-100
Zuo Jing, Christiane Krejs (2006). Potential Dialogue: The party of Sino-Austria young artists. RCM Museum, Kunst Raum Noe. pp.69-72
Zhejiang Oil Painters Association (2005). 2005 Zhejiang Oil Exhibition. Zhejiang People’s Fine Art’s PublishingHous. pp.27. ISBN: 7-5340-2023-9
Chang Tsong - zung(2005). YCCA-Young Chinese Contemporary Art.HANGAR-7. pp.44-55
Qiu Zhijie, Zuo jing, Zhu tong (2005). Archaeology of the Future: the second Triennial Chinese Art. Hubei Fine Art’s PublishingHouse. pp.222-225. ISBN: 7-5394-1719-6
Zhu Xiaowei (2004). Layer after Layer-Contemporary painting in Shanghai in Zhejiang art exhibition. HangZhou FengYa Culturkunst Limited Company. pp.31-36
Zhao Li (2002). Creative: NOKIA Arts Awards-Asia Pacific 2002. NOKIA, China Central Academy of Fine Arts. p.20
Xu Jia (2001). Eye On The World: NOKIA Arts Awards-Asia Pacific 2001. NOKIA, China Central Academy of Fine Arts. p.54
Literature
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Curated by Hans Ulrich Obrist (2012). Karen Marta, Philip Tinari (2012). The future will be… China Edition. Pinacoteca Giovannie e Marella Agnelli, Ullens Center for Contemporary Art. pp.122-123. ISBN: 978-988-16223-2-7
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Zhao Li(2012). The New Generation of Chinese Contemporary Art: Youth Decide the Future. China Youth Publishing House. pp.76-79. ISBN: 978-7-5153-1035-0
Deutsche Bank AG Brand Communications & Corporate Citizenship(2011). Urban Utopia：Deutsche Bank Collection Hong Kong. Deutsche Bank. Cover&pp. 54-55
Zhu Zhu (2010). The naissance of a painting. New star press. pp.160-171. ISBN: 978-7-80225-862-4
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Lu Peng, Zhu Zhu, Gao Qianhui (2010). Thirty years of adventures. Timezone8. pp. 698-701. ISBN: 978-988-18906-7-2
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Press
Work. Summer 2021. cover. back cover
Chen Shuang. ‘Dream Passage’. Ziwu Journal. Jun.2021. VOL.15. cover. pp.10-13
Francesca Gavin. “No man is an island”, Almine Rech Newsletter #27. January-June 2021. pp.94－99
“Li Qing in ‘Display and Replay’”, Almine Rech Newsletter #27. January-June 2021. p.199
Harriet Thorpe. ‘Li Qing: East of Eden’. Studio International. 2020.8.21
Ingeborg Ruthe. ‘Der Garten Eden des Fernen Ostens’. Berliner Zeitung. 2020.7.17
“BLOW-UP/Shanghai Express-Extract from a conversation between Li Qing and Jerome Sans”, Almine Rech Newsletter #26. June-December 2020. pp.22－29
Dao. ‘Rear window: a glimpse of the treasure of the soul’. LIFEMAGAZINE. ISSUE 170/171. JAN/FEB 2020. pp.58-67
Shell Ni.‘Rear Window’. ARCHITECTURAL DIGEST. January 2020. ISSN2095-1825. NO.105. pp.88-89
“SPY STORY”，Marie Claire Maison. January 1, 2020
Tong Yaqi. Lin Jiaxun. Zhang Yao. ‘Art Program Of The Year China 2019’. The Art NewsPaper. 2019.12. No.74. p.7 p.12
Emma Vilagran Leal. ‘Li Qing - What Do You Do When No One Is Looking’.METAL Magazine. November 11, 2019
Lauren Long. ‘REAR WINDOWS LI QING’. PRADA RONG ZHAI. Art Asia Pacific. January 10, 2019
Purple ART, ‘LI QING’S REAR WINDOWS’. Exhibition at Prada Rong Zhai, Shanghai. November 18, 2019
‘Rear Windows by Li Qing at Prada Rong Zhai, Shanghai, through January 19. 2020’. Art Summary. A Visual Journal. December 17, 2019
Yi Wei. ‘family history, capital and art in the rear window’. Art & Collections, December 2019
PANLI. ‘Li Qing: the hidden narrator’. VOGUE. NO.02. FEBRUARY 2020. pp.240-243
Hitchcock’s ‘Rear Window’ inspiration. Shanghai Daily. December 3, 2019
Lin Pengyuan. ‘The rear window is embedded in the glorious house, and you can feel the changing times outside the window in the century old mansion’ Modern Weekly TANC. November 2, 2019
‘Li Qing: open all the windows in the courtyard together’. La lettura – Corrie. December 28. 2019
Zhong Hanyang. ‘wallpaper (China)’. Ways of seeing. December 2019. pp. 23-36
Nirmala Devi. ‘Preview’. Art Review. November 4, 2019. p. 91
‘PICK OF SIX ART EXHIBITIONS’. That's Shanghai. November 2019
Whitewaller. ‘Whitewall Shanghai 2019：What to see’ . WHITEWALL. NOVEMBER 7,2019
Nirmala Devi. ‘PREVIEW’. Art Review. November 4, 2019
Tagesspiegel - November 9. Der grofe Strom DER TAGESSPIEGEL 29
Rear Windows, Harper’s Bazaar (China). BAZAAR.15 October 2019.p.39
Li Qing Rear Windows Fondazione Prada, Shanghai. Blau International (Germany) fall 2019/2020. November 7，2019-January 19，2020
Cristina Ruiz. ‘Window dressing’. Vanity Fair on Art. (Private View/Art News). November 2019. p.28
LORENA VARGAS，’La magia de Prada’. The New York Times Style Magazine：Spain。November 11. 2019
Wang Min’an. ‘The Politics of Form’. Lu Mingjun. ‘The Window as Art: Object, Perception and Art History’. NATIONAL ARTS. NOV/DEC 2019. pp.24-43
Zhong Hanyang. ‘WAYS OF SEEING’. Wallpaper CHINA EDITION. 2019/11 & 12. pp.88-89
Ka Ka. ‘The world outside the window’. IDEAT. NO.55. November 2019. pp.56-59
Lin Lang. ‘The phantom of the house, a peep on the rear window’.Southern People Weekly. ISSN 1672-8335. 2019/11/18. NO.35. pp.74-79
‘Li Qing: Vision in Contrast’. FORTUNE ART. 2019. VOL.5. pp.36-51
‘ALL EYES ON CHINA’. DAILY CANVAS. pp.21-22 NOV. ISSUE 2019
‘THE 10TH Golden Star Award For Chinese Artists’. NARIONAL ARTS. MAR/APR 2019. pp.100
‘Window to the past’. TimeOut Hong Kong. Issue No.224, December 28- January 17, 2017
Olivia Lai. ‘Interview: Chinese artist Li Qing on painting Hong Kong from the perspective of an outsider’. Interview. Thursday January 5 2017
Huang Shengqing. Artist. NATIONAL ARTS. January 2017. p.27
Xiao Luan. Constructing the relationship between painting and viewer -- A visit to Chinese artist Li Qing. Issue 67, January 2017. pp.16-19
Anne Ellegood. Omar Kholeif. Jenny Jaskey. Jens Hoffman, Stefan Kalmár. Yung Ma, Fernanda Brenner and Pavel Pys. ‘Looking Forward’. Frieze. 2017. pp.44-53
‘2017 What you want to do’. NATIONAL ARTS. MAR/APR 2017. pp.30-31
‘LiQing’s Works: Neighbor’s Window · Victory’. NATONAL ARTS. SEP/OCT NO.09. 2017. p.22
Fabien Fryns. ‘Portrait of An Artist: Li Qing’. Vanity Fair On Art. November 2016. p.93
‘Backbone People’. National Arts. March 2016. pp.100-101
Guan Er. ‘Adidas 2016 Spring’. ELLEMEN. March 2016
Liao Liao. ‘window/mirror’. National Arts. March 2016. pp.126-135
Hu Tingting. ‘Things are not what they may seem’. Hi Art. June 2015. pp.60-63
An Meiying. ‘Life and art to see the space’. ART NOW. December 2015 . Issue 12. pp.124-129
Michele D’Aurizio, ‘Li Qing’. Flash Art. NO.307. Volume 49- March/April 2016. pp.70-73
Lan Jia. ‘Windows of Mutual Undoing and Unity Evolution’. Aet World. July 2015. pp.129-136
Melanie Gerlis and Gareth Harris, ‘More than brand names and biennial favourites ’. THE ART NEWSPAPER 13-14 March, 2015. Cover
More Than Brand Names and Biennial Favourites. The Art Newspaper. 13 March 2015
Hu Tingting. ‘Li Qing: what you see is not what you know’, Hi Art. ISSUE 06 2015. pp.60-63
Li Qing. Impossible Conversation. August 23rd 2014
Creative Art with Surreal Impression. Peerage Magazine. 2014. pp.42-44
Ai Jia. ‘ART IS CHANNEL’. ARTFACE. JAN 2014.NO.26. pp.44-47
Wang Jing. ‘Li Qing at Leo Xu projects’. Art China. 2014 NO.1. pp.84-86
Wang Yinbo. ‘Li Qing: silence after absurdity’. I ART. 2014/05. pp.58-61
‘Window’. ART TIME. NO.37 /2014. pp.63-71
Wen Jia. ‘Art is Channel’. Art Face. Janurary 2014. pp.44-47
‘Li Qing: In the Vicinity’. Fortune Art. January 2014. p.160
‘Li Qing: In the Vicinity’. Grand Design. February 2014, Issue15. p.140
2013 National Art Golden Star Award. National Arts. March 2014
Eslite Gallery. ‘Sociology of self’. Artist. August2014 NO.471. pp.382-383
He Guiyan. ‘ART · JINJIANG-THE THEMATIC EXHIBITION OF CONTEMPORARY ART’. Hi Art，ISSUE11，2014. pp.282
‘The 5th Golden Star Award for Chinese Artists’. NATONAL ARTS.MAR/APR 2014. pp.72-73
Modern Weekly. December 28, 2013. Revision 784. p.10
Liao Dongyun. LEO XU PROJECTS Making scenes in the back lane . Li Qing's solo show: In the Vicinity. Hi Art. Dec 2013
Yuan jing. Li Qing: In the vicinity. Artforum. Dec 2013
Marta Agostoni. La Biennale Di Venezia. 2013. pp.96-97 SSN: 2036 89 17
Sam Gaskin，‘Slideshow: Li Qing's "In the Vicinity’ Blouin Artinfo. 10th Dec 2013
Hu Bei. ‘In the Vicinity’. Global Times. Dec 12th, 2013
Zhang Yijing. ‘An Exquisite Scene of Realistic Comedy’. Dfdaily. 4th Dec 2013
Liu Xingguang. ’Men's Uno, Editor Picks: The City of Narcissus’. Men's Uno. Sept 2013. issue 114
Zhou Yi. ‘Falling in Li Qing's Painting’. Vision. August 2013. Issue 131. pp.162-169
Chen Mengzhe. ‘Li Qing: INTELLECTUAL PAINTING’. Arts Magazine. ISSUE 02. JUNE 2012. Cover. back cover. pp.4-7
Interweaving - Li Qing's Solo Exhibition "Art Bank. Issue 33. July-August 2012. p.156
‘Interweaving, evolution for survival’ Oriental Art Masters 257. Jul-August 2012 p.18
‘Enquanto Artista, Sint-me livre Para Fazer O Que Tenho DE Fazer’. Macau Tribune Daily.19 June 2012. p.9
Such clothes are more like human beings. ‘A roupa é o que está mais próximo do ser humano’. Macao Ponto Final newspaper. June 20, 2012. pp.8-9
Chang Tsong-Zung. ‘ Interlaced Smoke -Li Qing' s Solo Exhibition for Foundation Oriente’ National Arts. cover & pp.128-139
‘Li Qing's solo Exhibition -- Interweaving ’ Harper's Art. July 2012. P340
Liao Dongyun. ‘Collision intertwines natural growth’. Hi Art. July - August 2012. pp. 87-89. p.88，ISSN：1005-0914
FUNDACAO ORIENTE, MACAO. LI QING: INTERWEAVING.THE INTERNATIONAL ART MAGAZINE OF CONTEMPO RARY CHINA. 2012.8 pp.214-215. ISSN: 1003-6865
Chang Tsong-Zung. Li Qing at Hanart TZ Gallery. Art China. NO.86. pp.68-69
Duan Jun. THE DEVELOPMENT OF CHINESE CONTEMPORARY PAINTINGS: A COMPARATIVE STUDY OF CHINESE CONTEMPORARY PAINTINGS IN THREE DECADES (1980-2010) Arttoday oriental art. August 2012. pp.112-116.
‘GALLERY’. EKA FOOD XMAS. 2012. pp.48-49
‘Talk’. NATIONAL ARTS. November 2012. pp.44-47
Li Qing. ‘Klimt-A Revolutionist’. Numéro. Dec 2012. p.11, p.202-207, PVIII-PX
Chang Tsong-Zung.. ‘Interwoven smoke: Preface Li Qing at the Oriental Foundation Exhibition’. National Arts. July 2012. pp.2-13
Li Qing. ‘Klimet-A Revolutionist’. Metropolis. DEC 2012. NO.12. pp.203-211，IX-X
‘Li Qing, rising potential stock’. Bazaar art feature. January 2011. pp.152，IX-X
Luo Yumei. ‘20 FACES TO REMEMBER’. Art & Investment. July 2011, No. 67. pp. 61-67
Zhu Zhu‘An Introduction to Li Qing’，ART in CHINA. January 2011. NO.1. Cover&pp.87-113. ISSN：2172-6116
‘Track the broadcaster’.Trackart. August 2011. NO.32. pp.252-257
‘Game Spirit’. Feel the life. June 2011. pp.80-81
Luo Ma. ‘Abnormal mutual destruction and fault - finding game’. Business Trip. NO.50. pp.124-127
Lv Jingjing. ‘Li Qing: The question of uncertainty’. Art Bank. March 2011. NO.17. pp.66-67
Jin Ran. Zhu Tingting. A New Generation With Poetry. Harper's Bazaar art. January 2011. NO.237. pp.150-155
‘Track the broadcaster’. Trackart. December 2010. NO.30. pp.170-175
‘Hidden Poetic-All About Li Qing’s ‘Wandering’’ October 2010. Cover (partial) and Cover pull & pp.82-89
Xia Jifeng. Li Qing: A mixture of specious art. Contemporary art & Investment. October 2010. NO.45. pp.40-44
Zhu Zhu. ‘Li Qing: Drifting’. Art Guide. October 2010. NO.33. pp.30-37
Zhu Zhu. ‘BOX WITHOUT COVER: INTERVIEW WITH LI QING’. World of Art. May 2010. NO.91 pp.130-133
Zhu Zhu. ‘BOX WITHOUT COVER: INTERVIEW WITH LI QING’. World of Art. May 2010. NO.91 pp.74-77
Xia Jifeng. ‘LIQING: A PARADOXICAL COMPLEX OF ART’. CONTEMPORARY ART&INVESTMENT. ISSUE45/2010 NO.10. pp.40-44
Zhu Zhu. ‘A box without a top-Li Qing interview’. TODAY NO.1/2010/SPRING. cover，pp.286-295
‘Li Qing: The 'undercover' between Art and Reality’. Hotspot. January 2009. NO.1. Cover & Feature 1-2
Jin Simeng. ‘Li Qing: I feel sad about the passage of time’ . World of Art. January 2009. pp.74-77
‘CHINA REPORT’. Art in America. September 2009. NO.8. P77
Chang Tsong-Zung. ‘Brush As My Eyes-The Painting Tale by Li Qing’. NATIONAL ARTS. June 2009. Cover & p.4, p.6, pp.72 -81
‘Li Qing: The undercover between art and reality’. January 8-21, 2009. NO.39. pp.17-19
‘Li Qing: Find Your Way out’. Youth visual. January - February 2009 issue. pp.50-53
Chang Tsong-Zung. ‘The Observant Paint Brush’. NATONAL ARTS. MAY/JUN 2009. pp.72-81
Zhang Zhaohui. ‘Li Qing: behind the visual game’. ART Focus. April 2008. pp.144-149
Zhu Zhu. “Ghosting”. Contemporary art & investment. November 2008. NO.23. Cover & Back cover. pp.46-49
Bao Dong. ‘Interview with Li Qing’. Art China. January 2009. NO.1. pp.52-55
Maya Kovskaya (Mao Weidong Translation). ‘Li Qing's 'Collision' : Changing symbols and other opposites of dialogue’. Contemporary art & investment. November 2008. NO.23. Cover & Back cover. pp.41-45
Lv Peng. ‘Intellectual painting and its Concept -- Li Qing's painting art’ . Contemporary art & investment. November 2008. NO.23. pp.38-49 November 2008. NO.23. Cover & Back cover. pp.38-41
Zhu Zhu. ‘Zhi Mo and Xiao Man’ . Contemporary art & investment . September 2008，NO.21. pp.62-67
Liu Yukuan. Pattern art hacker. Hi Arts. April 2008. NO.18 pp.194-195
Zhu Zhu. ‘Zhi Mo and Xiao Man’. Oriental art masters. February 2008. NO.151 pp.102-107
‘Collision in the Air’. ARTFORUM. March 2008. NO.7 . Cover & pp.142
Li Qing. ‘An attitude’. Master of Oriental Art. August 2007. NO.139 P137
Li Qing. ‘Self Report’. Contemporary art and investment. January 2007. NO.1. p.21
‘Crazy Artist’. Men's Gang (International Chinese Version). November 2006. NO.77. pp.36-37
Xia Jifeng. ‘Between the real and the unreal’. Zhu Zhu. ‘The separation of images’. Zhang Chaohui. ‘Li Qing: Behind the visual game’. ART & INVESTMENT. September 2006. NO.09. pp.100-110
‘Paintings by Li Qing: FINDING TOGETHER ’. Art and Tracking. August 2006. NO.10. pp.366-367
Xia Jifeng.‘Art appreciation’ Zhejiang Writers. June 2006. Issue 189. Cover & Back cover. pp.65-68
Li Qing. ‘About Spot the Difference’’. Art World. April 16. 2005. No.16. pp.65-67
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