Water Stains on The Wall-The Carrier of Formation

Zhejiang Art Museum,Hangzhou

January 13 to February 12, 2012

“"Leaking marks on walls"”was first seen on the book "Comments of Shi Huaisu and Yan Zhengqing on cursive scripts " by Lu Yu in Tang Dynasty,which means natural twisting and turning traces of raindrops on broken walls, moreover this aesthetic concept of respect for natural is regarded as a model of painting and calligraphy creation by posterity after date.


 

 

 

 

Exhibition view of Water Stains on The Wall-The Carrier of Formation, Zhejiang Art Museum,Hangzhou

 

Li Qing,Images of Mutual Undoing and Unity · Goddess

2 photos, dimension variable & oil on canvas, 170 x 127 cm x 2 2011

 

Li Qing,White Group Portrait

oil on canvas 240 x 600 cm 2010

 

Water Stains on The Wall-The Carrier of Formation

Curator:Jiang Zaiming

Exhibition Time: 2012/1/13 to 2012/2/12

Organizers: Zhejiang Art Museum

Hall: The Hall: NO.1,2

 

Artists: Unmask, Wang Guangle, Wang Mai, Wang Jun, Wei Jia, Qiu Xiaofei, Liu Wei, Li Qing, Li Hui, Li Changlong, Li Wei, Chen Yujun, Wu Junyong, Shao Wenhuan, Yang Xinguang, Zhao Mi, Cao Fei, Peng Wei, Feng Zhengquan, Tu Hongtao, Xue Feng

 

“"Leaking marks on walls"”was first seen on the book "Comments of Shi Huaisu and Yan Zhengqing on cursive scripts " by Lu Yu in Tang Dynasty,which means natural twisting and turning traces of raindrops on broken walls, moreover this aesthetic concept of respect for natural is regarded as a model of painting and calligraphy creation by posterity after date.

 

The predecessors’ experience is not unprofitable withered flowers or outdated platitudes regardless of whether its performance is form of works or theoretical style. On the contrary, it is often the lighthouse that clears up fog in front. “ As the theme of this exhibition, "Leaking marks on walls" ”is a basis point for breaking down and exceeding artistic boundaries and creation of a new visual form, by which artists can look back from current experience to tradition, and take it as a cut point and methodology for art discussion.““I hope nothing but maintaining reasonable and independent feelings on my own within all traditional knowledge.””。

 

There are totally 21 artists participating in this exhibition, most of them were born in 1970s. With the academic background, they have received nourishment from classic painting and rigorous and systematic technique training; nonetheless they have showed a strong sense of innovation in creation, and expressed unique ideas of their own in concept, material and expression technique of painting, also demonstrated positive meaning and wisdom in value orientation for inheriting and variation of predecessors’ experience. In this way, they have shown great promise among contemporary art field. We hope that this exhibition could provide a new text for exploration of contemporary art.


 

 

 

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